There’s a reason (or two, or three…) why a lot of musicians still treasure vintage analog technology… In an era of increasingly digital music production and artificial intelligence (AI), analog MIDI modules stand as a testament to the warmth, character, and irreplaceable sonic qualities that have captivated musicians for decades.
Far from being relics of a bygone era, these vintage pieces of equipment, like the Oberheim Matrix 1000, continue to hold a special place in the hearts of musicians, producers, and sound designers across various genres. As of the writing of this blog post, you can still find this particular module for sale (used, of course) at places like: Reverb, eBay, etc. … Anywhere from $800 – $1500…
The Sonic Warmth of Analog Technology
At the core of most analog MIDI modules’ appeal is their distinctive sound character and qualities. Unlike digital synthesizers that produce mathematically precise / correct tones, analog modules introduce subtle imperfections and harmonics that create a rich, organic sound, not easily duplicated elsewhere. Each module has its own unique personality – a slightly unstable oscillator, a temperamental filter, or a distinctive distortion.
That being said, of course, there’s some really nice sounds produced by companies like, Native Instruments, for example. To be honest, even Logic Pro, Cubase, and Ableton have very high quality sounds that can be used right out of the box. But, again, the digital manipulation isn’t exactly the same.
You might have heard the phrase “three-dimensional” sound at some point in your musical journey. Well, that’s what some of these vintage devices tend to produce when you hook them up. Vintage modules from manufacturers like Roland, Korg, and Yamaha are prized for their ability to create sounds with textures that just feel more alive. Whether it’s the punchy basslines of a Roland TB-303, or the lush pad sounds of a Yamaha DX7, these modules possess a sonic character that continues to inspire.
As for the Oberheim Matirx 1000…
The analog Matrix 1000 functions as a compact rackmount MIDI module containing 1,000 patches from the Matrix 6. It is basically a less expensive version of the keyboard equipped Matrix 6 (Take a look on eBay, roughly $1,200 – $1,800, or there abouts). It shares the same synthesizer architecture as the Matrix 6. Each of its six voices is equipped with two digitally controlled analog oscillators (DCOs), a low-pass filter, 2 VCA’s, three envelope generators, 2 LFO’s, and two ramp generators. The range of sounds it produces is extensive and of good quality; however, parameter editing is only possible through MIDI, necessitating an external MIDI editor like MOTU’s Unisyn or Access’ Matrix Programmer. Additionally, sounds can be imported from the Matrix 6 using SysEx or software.
This rack module offers 195 “keyboard” sounds, 118 “strings,” 130 “woodwinds & perc,” 239 “synthesizer,” 119 “bass,” 74 “lead,” and 125 “effects.” For the value, you won’t find a more affordable option to discover authentic analog Oberheim Matrix sounds in a compact format packed with more sounds than you’ll ever require!
Hands-On Sound Manipulation
One significant advantage of analog MIDI modules is the tactile experience of sound design. Unlike software plugins that rely on mouse clicks and computer interfaces, these modules feature physical knobs, sliders, and switches that provide immediate, intuitive control (Not so much for the outboard modules like the Oberheim, but…). You have the ability to adjust sound(s) in real-time, creating an interactive and creative musical experience.
This hands-on method gives your music a more artisic result. There’s more engagement with the music you create. This interaction encourages spontaneous creativity, allowing every note to change based on the mood, energy, and environment. As a result, listeners enjoy a truly immersive musical journey. This hands-on approach to sound creation encourages a more interactive and creative musical process. It transforms sound design from a technical task into an artistic performance, allowing us musicians to develop a more intimate relationship with the instrument.
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Reliability and Longevity
Contrary to what many might expect, well-maintained analog MIDI modules can be incredibly reliable. Many units from the 1980s and early 1990s are still functioning perfectly (The Oberheim…), a testament to their robust engineering. Its kind of nice to know that these modules can be repaired, calibrated, and maintained, unlike digital devices that often become obsolete within a few years. Don’tcha just hate updating everything, or having to buy a newer version of something!?!?!?…
How easy it (apparently) is to repair some of these modules contributes to their sustainability. Instead of discarding an entire unit when a single component fails, technicians can often replace that component, extending the life of the module.
I personally have never tested my repair skills in such a way (I’ll stick to just changing out guitar strings for now), and you (might) have a slightly difficult time finding such a repair person depending upon where you live, but they’re out there (larger cities I guess)…
Integration with Modern Music Production
Modern music production has not left analog MIDI modules behind. Many contemporary electronic music producers deliberately incorporate vintage modules into their digital setups. MIDI retrofitting and conversion options allow these classic instruments to communicate seamlessly with current computer-based music production systems.
The video above demonstrates (very quickly and simply) how to connect an old MIDI module to either an amplifier, PA, or audio interface via one 1/4″ instrument jack and one MIDI cable – using a Yamaha DX7 to trigger the sounds. Not demonstrated in the video is how to use two MIDI cables to simply connect the vintage module to your audio interface (didn’t have one available at the time – visiting my parents – it’s my Dad’s old Oberheim) to access the sounds using your current audio production setup. Perhaps, in another future video…
DAWs (Digital Audio Workstations) now offer sophisticated MIDI integration, allowing analog modules to be controlled and recorded with the same precision as software instruments. This bridging of analog and digital technologies ensures that these vintage modules remain relevant, valuable in contemporary music production, and therefore highly sought after.
Collector’s Value and Investment
Beyond their musical utility, analog MIDI modules have become significant collectors’ items. Rare and well-preserved units can appreciate considerably in value, making them not just musical instruments but also potential financial investments. Collectors (Not just musicians) are ever seeking out such pristine examples of legendary MIDI modules.
My Dad has considered selling his Oberheim, even his Yamaha DX7, (Juno 01, etc., the list goes on), and I hope to acquire some of the items before they get gone.
Genres and Creative Possibilities
From techno and house to experimental electronic music and film scoring, analog MIDI modules find applications across infinite diverse musical landscapes. Their unique sound characteristics make them particularly valuable in genres that prize distinctive sonic textures. They allow for such a creative influx of ideas.
For instance, techno producers might use a vintage Roland TR-808 for its iconic drum sounds, while ambient musicians might leverage a Korg MS-20 for its complex modulation capabilities. Film composers appreciate the modules’ ability to create unique, otherworldly sounds that digital emulations struggle to reproduce.
I personally like simple Chimes (Patch #121) sound that comes out of the Oberheim…
Conclusion
Analog MIDI modules are far more than nostalgic curiosities. They represent a profound approach to sound creation that prioritizes character, hands-on interaction, and sonic depth. As music technology continues to evolve, these remarkable instruments remind us that innovation isn’t always about creating something entirely new, but sometimes about preserving and celebrating the unique qualities of established technologies.
I guess you could say that’ still another way of saying you are nostalgically curious… BUT, THE OLD SOUNDS ARE JUST COOLER… At least, sometimes, anyway…
For musicians seeking to add depth, character, and a touch of historical authenticity to their sound, analog MIDI modules remain an incomparable resource…
Until Next Time!
Would-Be Multi-Instrumentalist
Home Recording Enthusiast
…….. & Stuff …..
